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In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. This book examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove.

作者简介：

Vernon Hyde Minor is professor in the departments of art and art history, and comparative literature and the humanities, at the University of Colorado, Boulder. A Fellow of the American Academy in Rome and member of the Association of Members of the Institute for Advanced Study, he is the author of Art History's History, Baroque and Rococo: Art and Culture, and Passive Tranquility: The Sculpture of Filippo de la Valle. He is currently the Editor of the Memoirs of the American Academy in Rome.

1　Michelangelo Marisi da Caravaggio, Crucifixion ql: St. Peter, I6oI-o2, Santa Maria del Popolo, Rome

2　Michelangelo Merisi da Caravaggio, St. John the Baptist, I609--IO, Villa Borghese, Rome

3　Gianlorenzo Bernini, Interior ofSant'Andrea al Quirinale, I658-7o, Rome

4　Luca Giordano, Ecce Homo, I659-6o, Pinacoteca di Brera, Milan

5　Francesco Trevisani, Rest on the Flight into Egypt, c. 1715, Dresden, Gem~ildegalerie Alte Meister

6 Jan Frans van Bloemen, Arcadian Scene with Roman Buildings, c. I69OS

7　Giacomo della Porta, Tomb of Paul III, Farnese, I55I-I575, St. Peter's, Rome

8　Gianlorenzo Bernini, Tomb of Urban VIII, Barberini, I623-45, St. Peter's, Rome

9　Filippo della Valle, Tomb of Innocent XII, Pignatelli (with design provided by Ferdinando Fuga), 1743, St. Peter's Rome

1O　Filippo della Valle, Tomb of Thomas Dereham, 1739, S. Tommaso degli Inglesi, Rome

11　Detail of Figure IO

12　Carlo Maratti, Venus Tinting the Rose, black chalk, after original painting (now lost), Belgium, Private Collection

13　Carlo Maratti, The.Judgment of Paris, Ekaterininsky Palace, Pushkin (Tzarskoje Selo), Russia

14　Carlo Maratti, Apollo and Daphne, i68i, Brussels, MusSes Royaux des Beaux-Arts de Belgigue

15　Carlo Maratti, Self Portrait with the Marchese Pallavicini (I1 Tempio di VirttS), Stourhead, Wiltshire, The National Trust, Hoare Collection

16　Nicola Salvi, Trevi Fountain, 1732-62, Rome

17　Nicola Salvi, Trevi Fountain, detail of slipping pilaster

18　Nicola Salvi, Trevi Fountain, detail of grotesque masks, c. i735, Rome

19　Giuseppe Prodi and Francesco Pincellotti, Oak Tree, I742-4, Trevi Fountain, Rome

20　Filippo della Valle, Salubrity, I762, Trevi Fountain, Rome

21　Filippo della Valle, Fecundity, 1762, Trevi Fountain, Rome

22　Andrea Bergondi, Agrippa Supervising the Construction of the Aqua Yigo, I76O, Trevi Fountain, Rome

23　Giovanni Battista Grossi, 7?ivia Pointing Out the Source of the Aqua Virgo, I76o, Trevi Fountain, Rome

24　Giovan Mario Crescimbeni, Plan for an Arcadian Garden, I725, Biblioteca Angelica, Rome

25　Antonio Canevari, Project for the Bosco Parrasio, I725, drawing, Accademia di San Luca, Rome

26　Antonio Canevari, Dedicatory Plaque, with Inscription to John V of Portugal

27　Antonio Canevari, Stairway, Bosco Parrasio, Rome

28　Antonio Canevari, Skene and Paraskenia, Theater, Bosco Parrasio

29　Plaque Honoring Giovan Mario Crescimbeni, Bosco Parrasio, Rome

30　Ernst Lawson, Plan ofBosco Parrasio, I92o, Library of the American Academy in Rome, Rome

31　Antonio Canevari, Capital on Inside of Gate, Bosco Parrasio, Rome

32　Antonio Canevari, Grotto, Bosco Parrasio, Rome

33　Antonio Canevari, Gravina's "Laws" of the Arcadia, Bosco Parrasio, Rome

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书籍介绍

In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. Death of the Baroque and the Rhetoric of Good Taste examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century it provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove, the Arcadian garden on the slopes of Rome's Janiculum Hill.